This thesis conducts a preliminary examination of Kendrick Lamar's acclaimed album "To Pimp a Butterfly" through the lens of stylistic-formalist analysis. Focusing on the intersection of rap and poetry, the study aims to provide foundational insights into popular rap music as a form of contemporary poetry. Utilizing Abrams's Four Dimensions of Poetry and Alexs Pate's 7 Elements of Rap/Poetry, the study dissects the last track of the album, "Mortal Man" and its poetic qualities while unraveling the layers of meaning embedded within the lyrics and the track as a whole.
Furthermore, this study seeks to broaden the scope of future research by introducing cultural nuances of hip hop culture such as "Signifyin(g)" by Henry Louis Gates Jr. to literary analysis. The research aims to pave the way for a more inclusive understanding of rap/poetry as a global poetic phenomenon.
In essence, this preliminary study serves as a stepping stone towards deeper explorations of popular rap/poetry, inviting further research into its artistic complexities and cultural significance across various cultural contexts.
Keywords: Tears of Themis, Game Loops, Simulation, Dramatic Elements,
Formal Elements, Emergent Narratives, Enacted Narratives,
Karol Wojtyla, Love as Attraction, Love as Goodwill
Panelists:
Dr. Leodivico Lacsamana & Dr. Moreal Camba
Thesis Professors:
Dr. Joachim Emilio Antonio & Dr. Arnel E. Joven
Program Director:
Dr. Sophia Martha B. Marco
2023-2024 | Molina, Matthew Arren S.